Recitativo and Scherzo, Op 6. composer. Fritz Kreisler (). published in ; for solo violin; dedicated À Eugène Ysaÿe, le maître et l’ami. The final piece, Kreisler’s Recitativo und Scherzo-Caprice, will show how Ysaӱe’s influence popularized certain techniques that are then used in other violinists’. Check out Kreisler: Recitativo and Scherzo-Caprice, Op.6 by Henryk Szeryng on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on.

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Recitativo un Scherzo-Caprice

The scherzo could hardly be more different from the recitativo. Virtuoso and Romantic Encores for Violin.

Introspection Late Night Partying. The Early Years – Yehudi Menuhin. The recitativo portion of Recitativo and Scherzo is marked Lento con espressione and unfolds in many short phraselets, beginning with a twofold melodic declamation in D minor and then moving on to double-stops, trills, and slippery rrcitativo elaboration. Julia Krasko plays Fritz Kreisler. AllMusic Featured Composition Noteworthy.


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Recitativo un Scherzo-Caprice (Fritz Kreisler) | Free Violin Sheet Music

Jascha Heifetz Collection, Vol. Fritz Kreisler ‘s sole extant opus for solo violin and also one of just a handful of pieces to recitqtivo he actually did apply opus numbersthe Recitativo and Scherzo, Op. Works for Solo Violin. Work for Solo Violin. Fleur de Son Classics. Die Violine unter der Menorah. In My Own Voice.

The opening gestures are immediately repeated, this time surging forth passionately, up into the instrument’s upper register, but then immediately dissolving away into a remarkable series of double-stopped tremolandos something that, as a player, Kreisler was particularly good at and which figures into several of the concerto cadenzas he wrote and an eerie passage in harmonics.

Romances And Dances For Violin. Town Hall ’46; Carnegie Hall ‘ Szeryng plays Kreisler and other Treasures recitatio the Violin. Josef Hassid, Philip Newman. Love’s Joy and Sorrow: Presto e brillante, F major, hustling and bustling forth in buoyant eighth notes, it is day to the recitativo’s night, and even the frequent excursions into fiery, unsettled regions recitagivo dispel its essential good nature.


Unlike so many of his best-known pieces, it is neither arrangement nor adaptation, nor did Kreisler ever try to pass it off as another composer’s work.

Rainy Day Relaxation Road Trip.

Drinking Hanging Out In Love. On the contrary, it is pure Kreisler, a few minutes’ worth of dramatic musical rhapsody and fireworks that come as a pleasant surprise to the listener who knows Kreisler only as the author of salon-style Viennese dances and faux-Baroque trifles.

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Recitativo and Scherzo-Caprice, for solo violin, Op. 6

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